Old Paint
Jean-Léon Gérôme (French, 1824-1904), Diogenes, 1860. Oil on canvas, 74.5 x 101 cm. Walters Art Museum, Baltimore, Maryland.
Jean-Louis-Ernest Meissonier (French, 1815-1891), Young Man with a Book, 1860s. Oil on panel, 14.5 x 17.5 cm. Hermitage Museum, St Petersburg.
(via blastedheath)
Grace Rose (detail) by Frederick Sandys (1829-1904)
oil on panel, 1866
(Source: paintingses, via lesfleursdelart)
Paul Cézanne (French 1839-1906), Antoine Dominique Sauveur Aubert (born 1817), the Artist’s Uncle, 1866, oil on canvas, 31 3/8 x 25 1/4 in. (79.7 x 64.1 cm).
(via blastedheath)
Félix Bracquemond (French, 1833-1914), Alphonse Legros, 1861. Etching. National Portrait Gallery, London.
Albert Bierstadt - Cloudy Study, Moonlight (ca. 1860)
(Source: colourthysoul, via lacriniere)
![artemisdreaming:
The Birth of Venus, 1863
Alexandre Cabanel
Description from Wiki: “The Birth of Venus (French: Naissance de Venus) is a painting by the French artist Alexandre Cabanel (1823–1889). It was painted in 1863, and is now in the Musée d’Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New York City.
Shown to great success at the Paris Salon of 1863, The Birth of Venus was immediately purchased by Napoleon III for his own personal collection. That same year Cabanel was made a professor of the Ecole des Beaux-Arts.
Cabanel’s erotic imagery, cloaked in historicism, appealed to the propriety of the higher levels of society. Art historian and curator Robert Rosenblum wrote of Cabanel’s The Birth of Venus that “This Venus hovers somewhere between an ancient deity and a modern dream”; he described “the ambiguity of her eyes, that seem to be closed but that a close look reveals that she is awake … A nude who could be asleep or awake is specially formidable for a male viewer”.
Cabanel was a determined opponent of the Impressionists, especially Édouard Manet,[citation needed] although the refusal of the academic establishment to realize the importance of new ideas and sources of inspiration would eventually prove to be the undoing of the Academy.” via wikipedia](http://24.media.tumblr.com/4666101886b77b0e281e13675e3401c4/tumblr_mkur9ykqP51qc6wuio1_250.png)
The Birth of Venus, 1863
Alexandre Cabanel
Description from Wiki: “The Birth of Venus (French: Naissance de Venus) is a painting by the French artist Alexandre Cabanel (1823–1889). It was painted in 1863, and is now in the Musée d’Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New York City.
Shown to great success at the Paris Salon of 1863, The Birth of Venus was immediately purchased by Napoleon III for his own personal collection. That same year Cabanel was made a professor of the Ecole des Beaux-Arts.
Cabanel’s erotic imagery, cloaked in historicism, appealed to the propriety of the higher levels of society. Art historian and curator Robert Rosenblum wrote of Cabanel’s The Birth of Venus that “This Venus hovers somewhere between an ancient deity and a modern dream”; he described “the ambiguity of her eyes, that seem to be closed but that a close look reveals that she is awake … A nude who could be asleep or awake is specially formidable for a male viewer”.
Cabanel was a determined opponent of the Impressionists, especially Édouard Manet,[citation needed] although the refusal of the academic establishment to realize the importance of new ideas and sources of inspiration would eventually prove to be the undoing of the Academy.” via wikipedia
(via tylose)
